Содержание (сюжет). " Путешествие к Центру Земли" Жюль Верна -это приключенческая история о профессоре Отто Лиденброке и его племяннике Акселе. После того,как они находят загадочное сообщение от исследователя Арнэ Сакнуссемма<span> в старой книге, они продолжают опасное путешествие , ищут Центр Земли .Во время путешествия их плот разбивается о камни и они обнаруживают замечательное место...
В то время, пока Ганс чинит плот, Аксель и профессор осматриваются.
П: Давай исследуем эту местность! П: Что за шум?
А: Быстрее! Прячься!
Мужчины прячутся за кустами.
А: Смотри ! Человек .И огромные слоны.
П: Но они жили тысячи лет назад .Когда мы попадем домой ,люди удивятся тому, что мы видели.
А: Но поверят ли они нам? П: Мы должны вернуться к Гансу и к плоту!
А: Подожди! Что это?
П: Это очень старый нож. Это должно быть нож Арне </span>Сакнуссемма <span>!
Профессор находит инициалы на стене в пещере.
П:</span> Сакнуссемм был здесь! Компас должно быть сломался.
П: Мы нашли его! Это должно быть последняя часть путешествия Арне <span>Сакнуссемма</span>!
П: Быстрей - давай найдем Ганса и будем возвращаться!
1. What kind of feeling did the author of the story have?
2. Why did he want to go to the rock?
3. When did he decide to go to the rock?
4. Did he see anybody on his way back home?
5. What did Dr Mortimer say to him?
<span>Ages, eras and wars will always be
defined (1) <u>after</u> they are
over, or at least well after they (2) <u>have</u>
started. (3) <u>In</u> the year
1914, for example, no one said: 'Tomorrow I'm going (4) <u>to</u> go and fight in the First World War." Why not?
Because it wasn't generally called the First World War until the Second World
War had started. Similarly, no one ever said: 'Next year (5) <u>will</u> be the start of the Industrial Revolution" The
era now known as the Industrial Revolution only started being called that once
it was well under way. (6) <u>By</u>
the time we are old, we will all (7) <u>have</u>
experienced enormous technological advances. We might even (8) <u>be</u> walking round with computer
chips implanted in our bodies, or perhaps computer chip technology will have (9) <u>been</u> replaced by even more
advanced technology. There's talk (10) <u>at</u>
the moment that human skin itself might make an excellent electronic circuit
board. We can all make predictions, but nobody knows for sure. And nobody knows
what the era we will live in (11) <u>in</u>
the near future will be called by future historians. If we already live in the
Computer Age or the Information Age, as some people suggest the present-day era
(12) <u>will</u> be referred to by future historians, then who knows what era
we're just <u>(13) at</u> the
beginning of right now?</span>
Nowadays the profession of an account is very important. Every office, every organization has got centralized accounting.
In every organization there is a specialist, who should be able to maintain the accounting, inventory, make accounting reports and settlements with suppliers and consumers, calculate profit or anticipate losses, calculated salaries of the stuff and so on. That is why we need qualified specialists, who are able to carry out necessary and very serious documentation, know the law and many other materials. Therefore, a person who works as an accountant must be a very clever, responsible and serious.
<span>Nowadays many institutions and universities in all countries prepare specialists we call as accountants.///</span>
My favourite film is "The Fate of a Man". This film is excellent. It is difficult to find other words to describe it. It has enormous vigour and delicacy; it is full of purity and hope.
<span>...A man is caught in the storm of war and loses everything. Black clouds surround him and yet he finds strength to bear up with it all; he finds strength to adopt a child, a destitute, helpless creature..." All the great events and the feelings aroused are depicted with taste, tact and restraint. I wish to draw attention particularly to the extraordinary performance of the boy. Even if the film has no other merits the child scenes, so subtle, profound and lifelike, so full of tragic vigour - these scenes alone would win Bondarchuk the reputation of a great director.</span>